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About MusMap.com
MusMap.com is a cataloge of persons and organisations from the world of classical and contemporary music. Although the framework resembles social networking sites the aim is not to create yet another recreational network but strictly focus on the professional aspect of networking. Everyone interested in classical and contemporary music will get easier access to the artist and his/her work by browsing through the catalogue of profiles. MusMap is the perfect place to manage your carreer from as much more people will stumble upon your MusMap profile than upon a personal website.
For performers of classical music
MusMap is a sort of an “online business card”. By uploading sound examples of your performances, organizers of events may find a suitable act for their festival, or collegues may find a partner to perform with. Your fans can also follow what you are up to.
You can also make profiles for all your different ensembles and link them together to create more traffic to them.
For composers of contemporary music
Composers can add their works to a central database of compositions, providing performers with much easier access to their music. With each entry into the database a sound example and/or a score can be uploaded. Anyone interested in your work can then contact you directly through your profile for more information.
For organizers of events
Organizers of festivals or other events can also make a profile and add their concerts and activities to an event calendar. This is also the perfect place to find acts or pieces of music for your events and get in direct contact with the artists.
The name, MusMap, is derived from the words Music and Map. The idea of
the creators was that together we would create “a map” of the world of
classical music today by each making a profile of ourselves and
introducing our work. This map can then be used by anyone interested to
navigate through the fascinating terrains of classical and contemporary
music.
Contact MusMap for any further information regarding the site.
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